Checkpoint Theatre presents Secondary: The Musical

I think this show is rather a tremendous success the way the director and composer wanted. It succeeded not only because of it’s characters, the storyline, the very believable and realistic problems that each of the characters faced. The musical showed that fear was behind a lot of decision making in the education system – fear of parents, fear of being outside of the education system by kids and parents, fear of the executors in the system.

There was a funny thing though.

I can’t understand why the main character – a literature teacher Zhao Li Lin – believe in this entire educational system so much. I can understand she wants to do a great job by the kids. In any case, by end of the year, the kids scored highest of the entire cohort for Literature. They figured out the system for literature and perhaps even actually love it. She more than did her job. She excelled in that KPI. Cutting a mark, the story says, is terrible. She was fearful because the kids might be retained in Sec 3 because of a single mark. That was key fear for kids, parents and maybe the teachers – this arbitrary mark is a make or a break.

I can see that but I am unconvinced those are high stakes. They were still in the system. They were still given the chance to earn marks if they figured out how to navigate the system. Kids who are the elite 3A class understand the system and what it needs from them. They deliver and excel. 3F kids because of many reasons have no time or energy to understand this system. They struggle. A system can have multiple goals but ultimately it processes a service or a good to achieve some national priorities and not individual ideals or priorities. It’s not even about who has or does not have the money for tuition. Exclusivity is a marketing concept. The less of this service that is available, the more coveted they are. Gifted streams, elite secondary schools, they need this point system to remain in elite banding. If they rely on this cut off point system, is that even the school’s achievement that most of their students win prizes or go on to good JCs? Asshole parents exist because they swallowed the whole exclusivity marketing. They want the Hermes branding for their kids. If Huxley is just an ordinary secondary school, is being in 3A such a difference? Is it even a visible branding? This perceived position changes with each test or exam. Are these really such high enough stakes to create twists in parents collective panties?

This narrow mindedness over one point – this is a piece in the show – and how it builds to the tension in the story becomes less believable. The real stakes are the exit points in educational levels. The kids at at Sec 3 level where the stakes are not so high as O levels because the kids are still in the system. It is still processing them onward to O levels which is the next goalpost. The pass or fail is not severe enough to mine juicy angst. Now, if the borderline child had been processed onwards to O levels when they are not ready, that would prematurely pin the child to certain educational pathways. At Sec 3 and the child is retained, the child needs more help. I’m not saying the scene is poorly executed but I don’t agree with what the main character wants for her kids is actually good or useful.

The underlying reason is a mainly a me problem: I lack intense level of belief and deep trust that an education system provides real learning. At primary and secondary levels, everything is more or less rote learning. We need that foundation to understand harder staff at university levels. The marks are an indication of whether the child figured out what the teachers want and need them to regurgitate to indicate they have learnt. The best teacher in my mind is really explicitly teaching the kids, this is in the exam and this is how I need you to answer to get to the next door. Now this pattern is the same as this other pattern you have learnt elsewhere. Those other marketing stuff – making a difference, creating joy in learning – that’s nice but not the norm.

How rich are they?

Gilmore Girls: How is it that that town has so many rich people slumming in there? They spend money like they own magical never bottoming out purses.

I believe that can be said of all television shows. Friends. House. Supernatural. All these television people have magical resources of never bottoming out purses. Even when they say they are broke, or are actually unemployed, or they have a serious inability to work with anyone, they never think, maybe I can only eat a single piece of bread today.

Building

It rarely occurs to one the trouble taken to build a flat. The workers who deal with the sun, mud, accidents and incomprehensible supervisors. Foundations, architecture, engineering, project management, utilities planning, material selection, timelines and ultimately the multiple compromises due to market demands. In Singapore, getting a home means, please sir, can we have more loan quantum?

Grand Designs (on Netflix) is an eye opener. Homes could float away, slide down, crumble into dust. How rare and special it is, to be able to go out and buy a home has telephone, light and water, that is near buses and trains, near ready to eat food, with renovators who at a snap give you a template in order to pretend to have taste and deliver this illusion in a few months. Someone has done all the calculations, taken the risks to made sure there are no expensive mistakes. Nobody has to pay half a million or close to a million to discover that the plot is a bog.

Zoom is an equaliser. Everyone works off a small, slightly, tilting ceiling.

Yet other people’s interiors always bother us: bowed shelves acquiescing to just-one-more-wouldn’t-hurt and joyfully unfashionable floors.

Great money and effort turns inward to stamp that wealth, tearing down and building up. On zoom, only the tilting blank ceiling is allowed. Books and letters piling on top of the dusty piano, and the children and their legs strewn over coffee tables are portraits too intimate.

Movie at Home : The Palace of Infinite Reflections

Kid #1 has just started Primary school and I find the schedule change hard to manage. I couldn’t figure out how other parents did it. I kept trying to figure out how did they manage to fit revision after dinner. What about playing? Don’t their kids play? Why is it that those blogs and articles say kids are suppose to play? Am I allowed to let them play?

It’s a public holiday today and instead of doing exam exercises I downloaded Lego Movie 1 & 2. (Love the show! The songs!) I am wondering if I imagine kids can be managed like a manufacturing process, with strict adherence to schedules. I think it’s maybe like managing a new baby. Key jobs need to be done for a baby – diapering, drinking milk and sleeping. A schedule is necessary so that mummy and baby get what they need to do out of the way. It does depend on whether how fast or slow the baby and mummy gets all these things done.

So perhaps I should just set key tasks and we try to fit that into a schedule to get all the things done so that play can continue.