客路青山 – another side of China

客路青山 documentary

In Yunnan, on a holiday.  The live singing in the nearby bar kept us up. The  television played a random free documentary. It was a smart TV but the a lot of shows  requires subscription.  Some are free, mostly documentary and early episodes of c-drama. I wasn’t paying attention at first. On TV, they were speaking in Yunnan dialect that I couldn’t understand interspersed with the official Mandarin.

I perked up when the captions showed 云南。Serendipity!

They were interviewing a bunch of villagers.

The villagers described their village 攀枝嘎 (Pan Zhi Ga) as 山穷水尽.

It started off with  a bunch of people trying to get work with tourism development firms to get some revenue for the villagers. A man with a mustache and a shirt that said Tesla volunteer. 蔡润. ( Cai Ran – I googled him later and found he got some others in the village to buy Teslas and rent them to earn tourism revenue.)

He seemed very in touch with the business world outside of the village. They showed him speaking to someone and boom deal done. The firm promised money to the villagers  There was no impediment at all. It seemed very easy for the firms to open their wallet to these projects. They just basically said yes without having to go through very senior bosses. That intrigued me –  that will not happen in SG. Money is tight.

The next scene was Mr Mustache business guy 蔡润and he appeared to be scolding the town in a town meeting. “我们为何穷?” He started off, interrupting the village administrator, a govt appointed secretary who called for the meeting.

“穷的原因是什么?是没找到方法?”

Was it a lack of practical  solutions from outside parties ?

“实际上我们的村 混日子的人太多了。

做人还做不来,自己还以为自己高高在上。

这种坏毛病要改掉.”

I was shocked and intrigued. How could he just rapped the villagers like that and on camera! After saying his piece he up and left the meeting. Many others handle poverty with care and sensitivity. I think they don’t even bring up rhetorical questions like what is the reason for poverty. Mr Mustache just called them out for being lazy. He wasn’t angry. He spoke in a matter of fact manner.

Until then I had no inking China had much extreme poverty. I was shocked to learn that China only eradicated poverty in 2020! China is a super power trying to go head to head with US. With huge possible spend, economic might and incredible technological advancements. That didn’t gel with poverty and this level of scolding.

As the documentary on, we followed a bunch of outsiders trying to work with the villagers to get them to claim reward points. It appeared to be for very simple tasks – mainly keeping hygiene to set the stage of tourism dollars. This was general tidying up, removing pests with provided pesticides, keeping village clean. These tasks seemed rather reasonable.  

The more I watched, the more I feel the sense of helplessness of the group led by  陈圆圆 (Tencent’s Head of CSR or similar) trying to help the villagers. The villagers did not want to change much. 

陈圆圆 and team had to extend a lot of effort to personally talk to the villagers one by one to encourage them to get on the reward scheme to be able to redeem some money to support their earnings. It was near impossible to get the villagers to make any change. Even for their own benefit. Some couldn’t do it. They did not own a smart phone or were illiterate. Most rather not do it.   One household tried. The documentary focused some of the screen time on a seemingly hapless secretary who did not walk the ground but held meetings a lot. It did not portray him in a good light. He seems unwilling to talk to the villagers. His agenda was to get the team to fix a road which the village could not afford to do so. (One of the villagers had an accident on this road. His widowed wife was one of the more enthusiastic characters willing to learn to read to earn those extra money.) 

One of the more colourful characters, lamented to the crew about his debts, his being a single dad and his elderly mom. 蔡润 the hero for us, explained to the camera he was a gambler. And later on, when the same guy was trying to scam 陈圆圆 with his sob story and on the cost of building his Airbnb, 蔡润 explained to 陈圆圆 on camera that the building did not cost hundreds of thousands. He promised to pay a builder 35k+ in installments. Later, 陈圆圆 showed the camera a conversation on 蔡润’s phone. Sob story guy basically asked 蔡润 every other day for loans to tide him over. And, I think 蔡润 agrees to some of them.

Near the end 蔡润 said to 陈圆圆, “我来的时候也像你一样,以为缺方法,缺机会。 其实它不是这样的”.

The ending of the show tried to show how much the various similar villages were helped by the schemes to alleviate extreme poverty. Perhaps to pass the censors. However, the audience was left with no uncertain view that there is a giant gap. It’s not just money. It is illiteracy, it is the sense of hope and trust that things can be better, it is the willingness to do a bit more and slightly different from their normal.

Having seen this – the movie Dear You hits different. There was a strong opinion piece in the local 早报 that it was propoganda to link overseas Chinese to China’s political causes. 

All I could think of is that for overseas Chinese to send a total of so many billions back to China just to lift poverty of their families and yet China only eradicated poverty in 2020. That also led me to Google GDP  per capita in 1965. HK was US$674. SG was US$500 per capita. Thailand was US$141. China was US$98.7. Indonesia’s data was US$53.2  in 1967. Anecdote: the sending of monies (on occassions) still continued in the 80s to improve standard of living eg, building bridges, homes and so on. China continued to rely on overseas Chinese. The sending of money stopped in the 90s.   

How could it be a propoganda film when it show clearly how poor China was? Was I compelled to reflect on the connection with China? I wasn’t. Even if I did, I have worked with Chinese colleagues. The culture divide is vast. They experienced cultural revolution. We experienced being Chinese in a predominantly non Chinese SEA. We might have a same language but it takes serious effort to ensure we are actually saying something that we both understand in the same way. Perhaps there are those who romanticised the connection and imagined we are one and the same because we have the same skin and eye colour. Chinese is not homogenous. Different provinces have different languages, value systems and practices. Han ethnicity is used to describe Chinese but it is just a way differentiate between minority tribes or even Tibetians and  Mongolians. Erasing the differences makes it easy to make sweeping statements – any sweeping statement that you want to make really but you just have to ask a woman from a dialect group marrying into another if there are similarities. As one of many of such women in modern  Singapore, there are very few similarities.  

 

Checkpoint Theatre presents Secondary: The Musical

I think this show is rather a tremendous success the way the director and composer wanted. It succeeded not only because of it’s characters, the storyline, the very believable and realistic problems that each of the characters faced. The musical showed that fear was behind a lot of decision making in the education system – fear of parents, fear of being outside of the education system by kids and parents, fear of the executors in the system.

There was a funny thing though.

I can’t understand why the main character – a literature teacher Zhao Li Lin – believe in this entire educational system so much. I can understand she wants to do a great job by the kids. In any case, by end of the year, the kids scored highest of the entire cohort for Literature. They figured out the system for literature and perhaps even actually love it. She more than did her job. She excelled in that KPI. Cutting a mark, the story says, is terrible. She was fearful because the kids might be retained in Sec 3 because of a single mark. That was key fear for kids, parents and maybe the teachers – this arbitrary mark is a make or a break.

I can see that but I am unconvinced those are high stakes. They were still in the system. They were still given the chance to earn marks if they figured out how to navigate the system. Kids who are the elite 3A class understand the system and what it needs from them. They deliver and excel. 3F kids because of many reasons have no time or energy to understand this system. They struggle. A system can have multiple goals but ultimately it processes a service or a good to achieve some national priorities and not individual ideals or priorities. It’s not even about who has or does not have the money for tuition. Exclusivity is a marketing concept. The less of this service that is available, the more coveted they are. Gifted streams, elite secondary schools, they need this point system to remain in elite banding. If they rely on this cut off point system, is that even the school’s achievement that most of their students win prizes or go on to good JCs? Asshole parents exist because they swallowed the whole exclusivity marketing. They want the Hermes branding for their kids. If Huxley is just an ordinary secondary school, is being in 3A such a difference? Is it even a visible branding? This perceived position changes with each test or exam. Are these really such high enough stakes to create twists in parents collective panties?

This narrow mindedness over one point – this is a piece in the show – and how it builds to the tension in the story becomes less believable. The real stakes are the exit points in educational levels. The kids at at Sec 3 level where the stakes are not so high as O levels because the kids are still in the system. It is still processing them onward to O levels which is the next goalpost. The pass or fail is not severe enough to mine juicy angst. Now, if the borderline child had been processed onwards to O levels when they are not ready, that would prematurely pin the child to certain educational pathways. At Sec 3 and the child is retained, the child needs more help. I’m not saying the scene is poorly executed but I don’t agree with what the main character wants for her kids is actually good or useful.

The underlying reason is a mainly a me problem: I lack intense level of belief and deep trust that an education system provides real learning. At primary and secondary levels, everything is more or less rote learning. We need that foundation to understand harder staff at university levels. The marks are an indication of whether the child figured out what the teachers want and need them to regurgitate to indicate they have learnt. The best teacher in my mind is really explicitly teaching the kids, this is in the exam and this is how I need you to answer to get to the next door. Now this pattern is the same as this other pattern you have learnt elsewhere. Those other marketing stuff – making a difference, creating joy in learning – that’s nice but not the norm.

How rich are they?

Gilmore Girls: How is it that that town has so many rich people slumming in there? They spend money like they own magical never bottoming out purses.

I believe that can be said of all television shows. Friends. House. Supernatural. All these television people have magical resources of never bottoming out purses. Even when they say they are broke, or are actually unemployed, or they have a serious inability to work with anyone, they never think, maybe I can only eat a single piece of bread today.

Building

It rarely occurs to one the trouble taken to build a flat. The workers who deal with the sun, mud, accidents and incomprehensible supervisors. Foundations, architecture, engineering, project management, utilities planning, material selection, timelines and ultimately the multiple compromises due to market demands. In Singapore, getting a home means, please sir, can we have more loan quantum?

Grand Designs (on Netflix) is an eye opener. Homes could float away, slide down, crumble into dust. How rare and special it is, to be able to go out and buy a home has telephone, light and water, that is near buses and trains, near ready to eat food, with renovators who at a snap give you a template in order to pretend to have taste and deliver this illusion in a few months. Someone has done all the calculations, taken the risks to made sure there are no expensive mistakes. Nobody has to pay half a million or close to a million to discover that the plot is a bog.

Zoom is an equaliser. Everyone works off a small, slightly, tilting ceiling.

Yet other people’s interiors always bother us: bowed shelves acquiescing to just-one-more-wouldn’t-hurt and joyfully unfashionable floors.

Great money and effort turns inward to stamp that wealth, tearing down and building up. On zoom, only the tilting blank ceiling is allowed. Books and letters piling on top of the dusty piano, and the children and their legs strewn over coffee tables are portraits too intimate.

Movie at Home : The Palace of Infinite Reflections

Kid #1 has just started Primary school and I find the schedule change hard to manage. I couldn’t figure out how other parents did it. I kept trying to figure out how did they manage to fit revision after dinner. What about playing? Don’t their kids play? Why is it that those blogs and articles say kids are suppose to play? Am I allowed to let them play?

It’s a public holiday today and instead of doing exam exercises I downloaded Lego Movie 1 & 2. (Love the show! The songs!) I am wondering if I imagine kids can be managed like a manufacturing process, with strict adherence to schedules. I think it’s maybe like managing a new baby. Key jobs need to be done for a baby – diapering, drinking milk and sleeping. A schedule is necessary so that mummy and baby get what they need to do out of the way. It does depend on whether how fast or slow the baby and mummy gets all these things done.

So perhaps I should just set key tasks and we try to fit that into a schedule to get all the things done so that play can continue.